Where to get a high quality Ghillie Shirt (100% cotton)

[OC Richard]

The problem is that it gives the unknowing the opportunity of gaining a false impression.

What about the Braveheart syndrome? What about the Highlander syndrome? What about the many romantic books and films made about Scotland in the past? What about the misguided posts on this website? They ALL lead the unknowing astray.

I fully agree, and I spend a large amount of time online fighting this very thing.

I also spend time fighting another false impression, which is that re-enactors confuse the past with the present, or that they believe that when they put on historical clothing that they're living in the past, or even that they believe that they're actually becoming a personage from history.

This is all nonsense. Re-enactors more than anyone are acutely aware of time, of all the elements that existed in a historical period which serve to make it so distinct from today. The serious ones are serious historians. They do meticulous research into their chosen period of interest and do their best to re-create the look of that specific time and place. They have a trained eye which can spot the smallest anachronism. They're the last people to wear goofy mashups of bits from various time-periods and places. They're the last people to have romantic notions of the past.

So yes for that Renaissance banquet I grabbed some random "close enough" things out of my closet and did the gig. It has a tinge of Brigadoonery.

But if I were do pipe for such things regularly I would do my research, almost entirely based on the two paintings I posted above (the best evidence that exists) and come up with a historically correct costume, a costume which would be the diametric opposite of Brigadoon, of Braveheart, of Outlander.

[Jock Scot]

I fully agree, and I spend a large amount of time online fighting this very thing.

I also spend time fighting another false impression, which is that re-enactors confuse the past with the present, or that they believe that when they put on historical clothing that they're living in the past, or even that they believe that they're actually becoming a personage from history.

This is all nonsense. Re-enactors more than anyone are acutely aware of time, of all the elements that existed in a historical period which serve to make it so distinct from today. The serious ones are serious historians. They do meticulous research into their chosen period of interest and do their best to re-create the look of that specific time and place. They have a trained eye which can spot the smallest anachronism. They're the last people to wear goofy mashups of bits from various time-periods and places. They're the last people to have romantic notions of the past.

So yes for that Renaissance banquet I grabbed some random "close enough" things out of my closet and did the gig. It has a tinge of Brigadoonery.

But if I were do pipe for such things regularly I would do my research, almost entirely based on the two paintings I posted above (the best evidence that exists) and come up with a historically correct costume, a costume which would be the diametric opposite of Brigadoon, of Braveheart, of Outlander.

Personally I would prefer the present day musician to be clad in a more up to date outfit. That way the spectators will get an idea what more modern kilt attire is about and in consequence, the audience get a reminder that modern kilt attire is relevant to today.

[Janner52]

The problem is that most people’s connection with the kilt is via television, or seeing pipe bands or highland games and so forth. In these instances the wearers are in uniform or some sort of attire relevant to their activity. The do not see the kilt wearer in what we would consider as everyday, casual, upper body clothing. I have been out and about in a kilt and polo shirt and asked if I was going to a wedding! I was also told by a shop assistant the it was the first time she had seen a kilt in real life. Don’t even remind me about the numbers of kilt wearers, and this includes pipe bands and country dancers who look like they got dressed whilst tied up in a coal sack.

[OC Richard]

The problem is that most people’s connection with the kilt is via television, or seeing pipe bands or highland games and so forth. In these instances the wearers are in uniform or some sort of attire relevant to their activity.

Exactly so, to us pipers a smart outfit is expected, required, whenever we perform on the pipes.

It's parallel to the orchestra musician's tuxedo. It's very common for musicians to be expected to look a certain way, not only clothes but hair styles etc.

You're not going to wear a tuxedo and have business-style grooming and perform on stage with a Metal band.

Add to that the ethnic thing. Here Mariachi bands are all over the place and they always perform in specific outfits. The people hiring them demand that they do.

Most pipers I know detest having to wear their outfits. It's like that with mainstream musicians, they call their tuxedo a "monkey suit".

[jsrnephdoc]

Exactly so, to us pipers a smart outfit is expected, required, whenever we perform on the pipes.

It's parallel to the orchestra musician's tuxedo. It's very common for musicians to be expected to look a certain way, not only clothes but hair styles etc.

I'd comment that slavish adherence to convention CAN be boring, with little accents meant as humor accepted in the manner they're presented.

For example, the Conductor/Music Director of the Bozeman Symphony Orchestra is young, vigorous (rides his motorcycle in the mountains, etc.) and widely respected (he recently conducted the New York Philharmonic at Lincoln Center). But, here at home, if there's the equivalent of a "Pops" or "family" concert; e.g., with movie soundtracks, or a family holiday concert, he'll wear his tux, but his shirt will also be black, and his shoes ALARMINGLY pricey brilliant red sneakers (my authority on this point is my college student grandson, who tolerated the music at a recent concert but was REALLY impressed by those sneakers. And, the converse of this is that the music director knows and remembers who I am (including talking to me about my emails) during after-concert receptions, and the major reason for that is NOT that I have a huge amount of classical music knowledge or ANY ability as a performer, but that I show up for the concerts typically in "business dress" kilted outfits (tie, waistcoat, Argyll jacket—or perhaps a nice cable knit sweater atop a tattersall dress shirt), and when at the more formal end of that range, either American business brogues or Ghillie Brogues.

Everybody LOVES the way he dresses, and I get respectful questions and compliments at every concert. One college student even drifted into jealousy when I informed him that Barb Tewksbury was making me a kilt!

[Panache]

After a discussion with a fellow costumer for my Scottish dance group I wanted to share a two final thoughts on the ghillie/pirate/swashbuckler shirt with you, that adds to why their look is so popular.

They are very flattering to a wide variety of body types.

Exceptionally skinny? The pirate shirt hides that.

Waistline expanding? The pirate shirt hides that.

So besides being comfortable (which they are) and having a certain amount of flair (which they do) they are flattering to the wearer in terms of fit.

My last thought is simply that a lot of the really wonderful looks for highland attire require a jacket or doublet to get the top part of one’s ensemble to look as “Scottish” as the lower half. The poofy shirt fits the bill without the far greater cost and completes the look. (Whether that “look” is authentic or not isn’t the issue, it is the perception of completing it that matters.)

Fun discussion BTB

Cheers

Jamie

[jsrnephdoc]

After a discussion with a fellow costumer for my Scottish dance group I wanted to share a two final thoughts on the ghillie/pirate/swashbuckler shirt with you, that adds to why their look is so popular.

They are very flattering to a wide variety of body types.

Exceptionally skinny? The pirate shirt hides that.

Waistline expanding? The pirate shirt hides that.

So besides being comfortable (which they are) and having a certain amount of flair (which they do) they are flattering to the wearer in terms of fit.

My last thought is simply that a lot of the really wonderful looks for highland attire require a jacket or doublet to get the top part of one’s ensemble to look as “Scottish” as the lower half. The poofy shirt fits the bill without the far greater cost and completes the look. (Whether that “look” is authentic or not isn’t the issue, it is the perception of completing it that matters.)

This (and probably several other discussions on this forum) distill down to a tension among

1. What looks good
2. What's "authentic" (either as contemporary or historical dress)
3. Where is it being worn

Perhaps, if the justification for (for example, a "Ghillie" shirt that never a Ghillie would have worn is just to have something on above the waist, there probably ARE other alternatives. For example, in my own case I've lost a LOT of weight over the past year or two. One of my kilts has had its straps moved as much as possible, and the only way I can wear it is with buttons on the waistband and suspenders attached to the buttons. Without them, it just falls off my body.

Others have provided examples of "historical" shirts that could pair with the kilt, but that wouldn't hide the suspenders, which I guess are a complete "no no" for being revealed in public. If the rest of the outfit is contemporary, a simple tweed waistcoat can hide the suspenders in settings where a tweed jacket up top would be uncomfortable or "over the top."

And, if your dancing group or Highlands Games gathering is here in the US, probably few people would complain about the inaccuracy of your dress anyway.

JMO

[OC Richard]

Personally I would prefer the present-day musician to be clad in a more up to date outfit. That way the spectators will get an idea what more modern kilt attire is about and in consequence, the audience get a reminder that modern kilt attire is relevant to today.

That's the thing, musicians have to dress according to the gig.

We have bands here that plays American Civil War music on original instruments. Their band-books are reprints of an 1863 original. They're hired to play at Civil War events. They're not going to show up modern outfits.

https://www.youtube.com/watch?v=hO_P3ONXtAk

We have bands that play Revolutionary War music. They play at 18th century themed events. The idea isn't to show the spectators what modern clothing looks like, it's to re-create a historical period.

https://www.youtube.com/watch?v=CPqzxY4rUGI

And more to the point, a Renaissance themed dance and the musicians expected to look the part

https://www.youtube.com/watch?v=BXZrT4fMgFk