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  1. #1
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    I find the cantle of the sporran quite interesting. I will assume the metal to be pewter for these reasons. The buckle on the baldric seems to be silver. A pewter cantle would be easier to cast with the designs shown in the painting. I also like the square (obvious spacious opening) shape. One could put a lot of items in there with ease.

    Sorry to distract from the OP's subject.

  2. #2
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    Quote Originally Posted by Tarheel View Post
    I find the cantle of the sporran quite interesting. I will assume the metal to be pewter for these reasons. The buckle on the baldric seems to be silver. A pewter cantle would be easier to cast with the designs shown in the painting. I also like the square (obvious spacious opening) shape. One could put a lot of items in there with ease.

    Sorry to distract from the OP's subject.
    Ive never seen a pewter cantle, but ive not seen every surviving 18th Century sporran or cantle. Not dismissing your idea, outright, but I think that if its a white metal, then silver or even cut steel are better choices.

    Here are a couple squarish sporran cantles, photos from a google search.










  3. #3
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    Allowing for artistic licence, I don't why the cantle wouldn't be brass, or possibly bronze.

  4. #4
    Benning Boy is offline Membership Revoked for repeated rule violations.
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    What I notice about the sporran is that it appears to be hanging from a wider belt than is customary nowadays, and it also appears to be worn higher than is common today. I like what I see, and will make that "traditional" for me.

    The red facing on the jacket is a nice touch. The simplicity of its construction appeals to me; no fancy cuffs, no epaulettes, just elegance.

  5. #5
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    Quote Originally Posted by Benning Boy View Post
    What I notice about the sporran is that it appears to be hanging from a wider belt than is customary nowadays, and it also appears to be worn higher than is common today. I like what I see, and will make that "traditional" for me.

    The red facing on the jacket is a nice touch. The simplicity of its construction appeals to me; no fancy cuffs, no epaulettes, just elegance.
    The higher up style is similar to that in the portriat of James Moray of Abercarney.

    Click image for larger version. 

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    The red lining seems to have been popular. It is a feature in three of the five surviving Culloden era coats I known of. Of the remaining two, one, the Culloden Coat, the lining is gray and in the other, the Hynde Cotton suit, it's white.

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